by broske1 | Jan 13, 2019 | DUR January 2019
Last week we were tasked to redesign musical geography maps from A History of Western Music (Norton, 2014) and Atlas Historique de la Musique and in groups of two we set out on our cartographic quest. The map below shows the distribution of Italian Music Centers in...
by Reed Williams | Jan 11, 2019 | DUR January 2019
The Atlas Historique de la Musique map of Conservatories, Festivals, and Opera Houses in Eastern Europe and Beyond was eye catching because of its simplicity, but was confusing for the same reason. As many others did with their own maps, our goal was for the map to...
by William Beimers | Jan 11, 2019 | DUR January 2019
The goal of our first mapping assignment this January was to take an existing map that says something about music, then digitize it and improve it in ways that would make it useful to a music scholar or a music history student. The map I chose to digitize was the...
by Annika Van Farowe | Jan 11, 2019 | DUR January 2019
After trying separately to fix Les Voyages de Mozart, Izzy and I got together to combine maps. We immediately realized that in trying to solve some of the problems of the original map, we created maps that looked almost nothing alike. Whereas I tried to follow the...
by west3 | Jan 10, 2019 | DUR January 2019
Any well-made map should be easy to read. No matter how complex the subject matter is, I should be able to look at a map and at least get a good sense of what is going on and what message the map is trying to convey. Unfortunately, this map on Influential Centers for...
