Musical Geography
  • HOME
  • THE MAPS
  • RESEARCH BLOG
  • THE TEAMS
  • RESOURCES
    • Bibliography
    • Digital Humanities Models
      • Musical Models
      • Historical Acoustics and Sounds
      • Other Humanities Models
    • Archives
      • The Unsuspecting Tour Guide
      • Visualizing Musical Life in 1920s Paris
      • Affective Mapping and the Musical Geography Project
      • Download our Database of 1924 Performances
      • Exhibit at the Alliance Française
      • Invented Primary Sources
      • Literary/Musical Intersections
      • Musical Geography by the Numbers
      • Statistics and Analysis of Beethoven Performances in 1924 Paris
  • ABOUT
    • Rationale
    • Process
    • Problems
    • Press
Select Page

The Joys and Frustrations of Visualizing Catalogued Data

by baumga1 | Apr 23, 2017 | Eli Baumgartner

Throughout the process of digital mapmaking, there are many roadblocks that can simultaneously frustrate and challenge. After having spent hours upon hours of cataloguing the appendix on Programs of Modern-Music Societies in New York from 1920-1931 in Carol...

Recent Posts

  • Marvin Gaye Live
  • Sekuru’s Stories
  • 16 Maps That Will Change How You See France
  • Visualizing the Racial Divide
  • USGS Historical Maps

Tags

Aaron Copland advice Americans in Paris archival research Ballets Russes Burleigh challenges in mapping Cinema creating maps Darius Milhaud data data entry Diaghilev diana sinton digital humanities digital maps DUR final reflections First Blog Post Goals Google Maps H.T. Burleigh Harmony Bench Harry T Burleigh HT Burleigh Introduction Jazz Josephine Baker Le Gaulois Map mapping methodology negrophilia Opéra Paris Princesse de Polignac race Reflection Research research methods research process Research Project Resources Slave Songs of the United States Spreadsheet