Musical Geography
  • HOME
  • THE MAPS
  • RESEARCH BLOG
  • THE TEAMS
  • RESOURCES
    • Bibliography
    • Digital Humanities Models
      • Musical Models
      • Historical Acoustics and Sounds
      • Other Humanities Models
    • Archives
      • The Unsuspecting Tour Guide
      • Visualizing Musical Life in 1920s Paris
      • Affective Mapping and the Musical Geography Project
      • Download our Database of 1924 Performances
      • Exhibit at the Alliance Française
      • Invented Primary Sources
      • Literary/Musical Intersections
      • Musical Geography by the Numbers
      • Statistics and Analysis of Beethoven Performances in 1924 Paris
  • ABOUT
    • Rationale
    • Process
    • Problems
    • Press
Select Page

Why Static Maps Matter

by baumga1 | May 20, 2017 | Eli Baumgartner

After a visit from Dr. Lincoln Mullen of George Mason University, our class came home with a huge takeaway—that static maps matter. But why do they matter? We spent an entire semester discussing the benefits of interactivity, so I found it both confusing and...

Recent Posts

  • Marvin Gaye Live
  • Sekuru’s Stories
  • 16 Maps That Will Change How You See France
  • Visualizing the Racial Divide
  • USGS Historical Maps

Tags

Aaron Copland advice Americans in Paris archival research Ballets Russes Burleigh challenges in mapping Cinema creating maps Darius Milhaud data data entry Diaghilev diana sinton digital humanities digital maps DUR final reflections First Blog Post Goals Google Maps H.T. Burleigh Harmony Bench Harry T Burleigh HT Burleigh Introduction Jazz Josephine Baker Le Gaulois Map mapping methodology negrophilia Opéra Paris Princesse de Polignac race Reflection Research research methods research process Research Project Resources Slave Songs of the United States Spreadsheet