Musical Geography
  • HOME
  • ABOUT
    • How To
    • Rationale
    • Process
    • Problems
    • Press
    • Who Made This?
  • THE MAPS
  • RESEARCH BLOG
  • RESOURCES
    • Tips and Tricks: Mapping with ArcGIS
    • Digital Humanities Models
      • Musical Models
      • Historical Acoustics and Sounds
      • Other Humanities Models
    • Bibliography
    • Archives
      • The Unsuspecting Tour Guide
      • Visualizing Musical Life in 1920s Paris
      • Affective Mapping and the Musical Geography Project
      • Download our Database of 1924 Performances
      • Exhibit at the Alliance Française
      • Invented Primary Sources
      • Literary/Musical Intersections
      • Musical Geography by the Numbers
      • Statistics and Analysis of Beethoven Performances in 1924 Paris
Select Page

Louis Vierne and Rollin Smith – Primary Versus Secondary Sources

by drewes | Sep 27, 2015 | Music in Paris in the 1920s (2015)

One source that is likely to be very important in my research is Rollin Smith’s Louis Vierne, Organist of the Notre Dame Cathedral.1 Rollin Smith is a well known personality in the organ world, and particularly, in organ scholarship. This particular source is...

Recent Posts

  • Marvin Gaye Live
  • Sekuru’s Stories
  • 16 Maps That Will Change How You See France
  • Visualizing the Racial Divide
  • USGS Historical Maps

Tags

Aaron Copland advice Americans in Paris archival research Ballets Russes Burleigh challenges in mapping Cinema creating maps Darius Milhaud data data entry Diaghilev diana sinton digital humanities digital maps DUR final reflections First Blog Post Goals Google Maps H.T. Burleigh Harmony Bench Harry T Burleigh HT Burleigh Introduction Jazz Josephine Baker Le Gaulois Map mapping methodology negrophilia Opéra Paris Princesse de Polignac race Reflection Research research methods research process Research Project Resources Slave Songs of the United States Spreadsheet