Musical Geography
  • HOME
  • THE MAPS
  • RESEARCH BLOG
  • THE TEAMS
  • RESOURCES
    • Bibliography
    • Digital Humanities Models
    • Archives
      • The Unsuspecting Tour Guide
      • Visualizing Musical Life in 1920s Paris
      • Affective Mapping and the Musical Geography Project
      • Download our Database of 1924 Performances
      • Exhibit at the Alliance Française
      • Invented Primary Sources
      • Literary/Musical Intersections
      • Musical Geography by the Numbers
      • Statistics and Analysis of Beethoven Performances in 1924 Paris
  • ABOUT
    • Rationale
    • Process
    • Problems
    • Press
Select Page

Does your map have to make an argument?

by Katharina Biermann | May 16, 2017 | Katharina Biermann

At various points in this course, the question of whether a digital map has to have or make an argument has pushed itself to the forefront of our conversations on the digital humanities. On the one hand, I might argue that, well, of course it does. Not so much because...

Recent Posts

  • A Fond Farewell to CURI 2019
  • CURI 2019: Final Blog Post
  • Rethinking What Archival Data Has to Offer
  • The Pitfalls of Symbolism
  • The Research Continues: Library of Congress Edition!

Tags

Aaron Copland advice Americans in Paris archival research Ballets Russes Burleigh challenges in mapping Cinema creating maps Darius Milhaud data data entry Diaghilev diana sinton digital humanities digital maps DUR final reflections First Blog Post Goals Google Maps H.T. Burleigh Harmony Bench Harry T Burleigh HT Burleigh Introduction Jazz Josephine Baker La Revue Negre Le Gaulois Map mapping methodology negrophilia Opéra Paris Princesse de Polignac Reflection Research research methods research process Research Project Resources Slave Songs of the United States Spreadsheet
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.
  • Click 1
  • Click 2
  • Click 3