Musical Geography
  • HOME
  • ABOUT
    • How To
    • Rationale
    • Process
    • Problems
    • Press
    • Who Made This?
  • THE MAPS
  • RESEARCH BLOG
  • RESOURCES
    • Tips and Tricks: Mapping with ArcGIS
    • Digital Humanities Models
      • Musical Models
      • Historical Acoustics and Sounds
      • Other Humanities Models
    • Bibliography
    • Archives
      • The Unsuspecting Tour Guide
      • Visualizing Musical Life in 1920s Paris
      • Affective Mapping and the Musical Geography Project
      • Download our Database of 1924 Performances
      • Exhibit at the Alliance Française
      • Invented Primary Sources
      • Literary/Musical Intersections
      • Musical Geography by the Numbers
      • Statistics and Analysis of Beethoven Performances in 1924 Paris
Select Page

A Subjective Reality: My takeaways from class so far

by baumga1 | Apr 3, 2017 | DUR Spring 2017

Nothing is ever objective in mapping. Nothing. Thinking about this concept is truly scary. The reality of the matter is, there is no objective reality. This semester, I have grappled with this issue more than I could have ever imagined in the subjective reality that...

Recent Posts

  • Marvin Gaye Live
  • Sekuru’s Stories
  • 16 Maps That Will Change How You See France
  • Visualizing the Racial Divide
  • USGS Historical Maps

Tags

Aaron Copland advice Americans in Paris archival research Ballets Russes Burleigh challenges in mapping Cinema creating maps Darius Milhaud data data entry Diaghilev diana sinton digital humanities digital maps DUR final reflections First Blog Post Goals Google Maps H.T. Burleigh Harmony Bench Harry T Burleigh HT Burleigh Introduction Jazz Josephine Baker Le Gaulois Map mapping methodology negrophilia Opéra Paris Princesse de Polignac race Reflection Research research methods research process Research Project Resources Slave Songs of the United States Spreadsheet