![Polyphonic Composers of the the 15th and 16th Centuries](https://pages.stolaf.edu/musicalgeography/wp-content/uploads/sites/648/2019/01/dufay.jpg)
![Polyphonic Composers of the the 15th and 16th Centuries](https://pages.stolaf.edu/musicalgeography/wp-content/uploads/sites/648/2019/01/dufay.jpg)
![The Global Reception of Darius Milhaud’s Music, 1922-1933](https://pages.stolaf.edu/musicalgeography/wp-content/uploads/sites/648/2017/07/Screen-Shot-2017-08-03-at-11.28.32-PM-1080x675.png)
The Global Reception of Darius Milhaud’s Music, 1922-1933
A French composer best known for his participation in the avant-garde “Groupe des Six” in the early 1920s, Darius Milhaud (1892-1974) struggled to win critical approval in the early part of his career. By documenting trends in concert programming and music criticism between 1922, when Milhaud first signed a contract with Vienna-based publisher Universal Edition, and 1933, when Milhaud’s reputation in France was firmly established, we’ve shown that Milhaud accurately reported his popularity in Central Europe, adding a crucial piece to the puzzle regarding his hard won official recognition in France.