The Global Reception of Darius Milhaud’s Music, 1922-1933

The Global Reception of Darius Milhaud’s Music, 1922-1933

A French composer best known for his participation in the avant-garde “Groupe des Six” in the early 1920s, Darius Milhaud (1892-1974) struggled to win critical approval in the early part of his career. By documenting trends in concert programming and music criticism between 1922, when Milhaud first signed a contract with Vienna-based publisher Universal Edition, and 1933, when Milhaud’s reputation in France was firmly established, we’ve shown that Milhaud accurately reported his popularity in Central Europe, adding a crucial piece to the puzzle regarding his hard won official recognition in France.

Programs of Modern-Music Societies in New York, 1920-1931

Programs of Modern-Music Societies in New York, 1920-1931

This project is a companion to the appendix of Carol J. Oja’s Making Music Modern, in which Oja compiles a list of programs of the following new-music organizations: Pro Musica Society American Music Guild International Composers’ Guild League of Composers...